Mostrando entradas con la etiqueta Kath and Kim. Mostrar todas las entradas
Mostrando entradas con la etiqueta Kath and Kim. Mostrar todas las entradas

28 de abril de 2009

[[KATH AND KIM]] Over the top charm

Kath & Kim may be the epitome of tackiness, but their self-absorbed, shallow characters are a barrel of laughs.

IF you were to believe the American television critics, then Kath & Kim would not be worth your time. When the show made its debut in September last year, critics described it as “disappointing” and “unfunny”.

But of course, they were comparing the show to the original series of the same title from Australia. There, in the land Down Under, the series became so popular that the title itself has become an adjective. For instance, women who are garishly dressed will be frowned upon by the glamour set and labelled “so Kath & Kim.”

Having not watched the Australian series, I found the American version quite a riot, really. It could be that I am just biased because I have always liked Molly Shannon in Saturday Night Live, and in movies such as A Night at the Roxbury, Superstar and The Grinch Who Stole Christmas, which showcase her talent for playing characters who are unabashedly shameless.

Kim (Selma Blair) and her mother Kath (Molly Shannon) of Kath & Kim just love trashy, gossip mags.

Then, it is no wonder that she plays to perfection, the role of Kathleen Day, a divorcée in her 40s who lives alone in Florida after her daughter moves out when she got hitched.

A case of empty nest syndrome? Not really. Kath feels liberated with her daughter gone. Immediately, she turns her daughter’s room into a gym! But her happiness is short-lived when Kim barges back into the house announcing, rather spelling out, that her marriage is over, “OVUR”.

Yup, Kimberly Day (Selma Blair) is not exactly the brightest bulb in the box. Her reason for getting a divorce is because her husband expects her to do things. “Sexual things?” her mum gasps in the pilot. It turns out that Kim didn’t know that getting married entails cooking, something she said, she definitely “didn’t sign up for”.

You see, Kim prides herself as a trophy wife (“like Mrs Larry King Live”). She wants a cushy life ... sipping margaritas while lounging in the backyard reading gossip rags.

Like her mum, Kim is obsessed with pop culture and celebrities, especially Suri Cruise.

Kath feels her daughter is cramping her style, now that the latter has moved back home. Especially since Kath’s new boyfriend, Phil (John Michael Higgins) sleeps over and is fond of wearing a short bathrobe and nothing else in the morning. So, it is Kath’s duty to get Kim back with her husband, Craig (Mikey Day).

Both men in the series work at the local mall ... which explains why the ladies are always visiting the place. Phil, who cracks lame jokes, owns a sandwich store while Craig, who is madly in love with Kim, works in an electrical shop.

The opening credits of Kath & Kim, which show mother and daughter strutting in a mall as though they are on the runway during New York Fashion Week, will inform you that this series is all about exaggeration.

From their choice of clothes to the acting, they can be a little bit over-the-top; but that’s part of the charm of the show. The ladies are so oblivious living in their world that they don’t realise just how tacky they are.

Because both the main characters are not that intelligent, you’d chuckle at the things they say. Kim calls the famed Sistine Chapel “the Sixteenth Chapel” while Kath thinks the translation for c’est la vie is “seize the day”.

Shannon is a delight to watch as the hyper-active, style-challenged Kath. Picture this: Kath’s house has leopard-print rugs which run alongside walls plastered with tropical tree wallpaper! But she is so proud of her abode. Shannon’s perfect comic timing and priceless facial expressions are reasons enough to tune into the show. Blair, on the other hand, seems to have just one acting method – growling. Funnily enough, that growling is what shot her to fame about a decade ago in Cruel Intentions, the teen-remake of Dangerous Liaisons.

But never mind that, the characters here are fed such great lines that you’d forgive Blair’s one-dimensional talent or Mikey Day’s wooden acting skills because you would be busy laughing at the jokes. And since Kath and Kim are obsessed with celebrities, the jokes are at the expense of famous people.

“If you got a little PS (plastic surgery), what would you do,” Kim asks her mum. She replies: “I’ll do whatever Nicole Kidman does. She always has had that same expression for years. Gorge!” (“Gorge!” is short for “gorgeous”.)

Self-absorbed, shallow, and to put it bluntly, stupid, the titular characters will elicit laughter with their brass and brash personalities. Though they are not exactly the most likeable characters in a comedy series (unlike Rachel Green in Friends or Carrie Bradshaw in Sex And The City), you will warm up to them eventually. Though you’d never stop squirming at their choice of clothes. It’s the total opposite of “Gorge!”

  • Kath & Kim airs every Monday at 8.50pm on Star World (Astro channel 711).

3 de abril de 2009

[[KATH AND KIM]] DVD BOX

Kath and Kim - DVD Box Art Available Now for the Molly Shannon/Selma Blair Series

2-disc set available to own in early July
Posted by David Lambert


Today Universal Studios Home Entertainment announced that Kath and Kim - Season 1, starring Molly Shannon (Saturday Night Live) and Selma Blair (Hellboy films), would be coming to DVD on July 7th. Extras, specs and pricing were made available at the time, but not packaging. However, this morning one of our retail contacts was able to send over to us a look at the box art for this 2-disc release, and we're sharing it with you now. Check it out!

Order this title from Amazon.com

News Graphic

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http://www.tvshowsondvd.com/news/Kath-Kim-Season-1-Box-Art/11642


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Kath & Kim: The Molly Shannon/Selma Blair sitcom comes to DVD this July: Date, Cost, Extras..

Retailers have been informed this morning by Universal Studios Home Entertainment that the NBC series Kath and Kim - Season 1 (the 2008 USA version, adapted from the 2002 Australian series) is coming to DVD on July 7th. The 2-disc set contains all 17 first-year episodes starring Molly Shannon (Saturday Night Live, Evan Almighty) and Selma Blair (Hellboy films, Cruel Intentions). It will also come packed with these extras:
  • Deleted Scenes
  • Gag Reel
  • 10 Commentary Tracks:
    • "Pilot" Commentary with Executive Producer Michelle Nader and Series Stars Molly Shannon & John Michael Higgins
    • "Respect" Commentary with Executive Producer Michelle Nader and Series Stars Selma Blair & Mikey Day
    • "Old" Commentary with Executive Producer Michelle Nader and Series Star Molly Shannon
    • "Gay" Commentary with Executive Producer Michelle Nader and Series Stars Selma Blair & Mikey Day
    • "Sacrifice" Commentary with Executive Producer Michelle Nader and Series Star John Michael Higgins
    • "News" Commentary with Executive Producer Michelle Nader and Series Star John Michael Higgins
    • "Idols" Commentary wth Executive Producer Michelle Nader, Co-Writer Adam Barr, and Series Stars Selma Blair & Mikey Day
    • "Celebrity" Commentary with Executive Producer Michelle Nader and Series Star Molly Shannon
    • "Competition" Commentary with Executive Producer Michelle Nader and Co-Writers Jim Dubensky & Steve Gabriel
    • "Home" Commentary with Executive Producer Michelle Nader, Co-Writer Adam Barr, and Series Stars Selma Blair & Mikey Day
Cost is $29.98 SRP. Video is presented in anamorphic widescreen, and audio in English Dolby Digital 5.1 Surround, with English subtitles. Package art isn't available yet, but stay tuned and we'll bring that to you when it's finalized.



26 de noviembre de 2008

[[ARTICLES]] Trumpeting Blair

On screen, spunky and spitting fire ... off, really just 'The Sweetest Thing'
November 26, 2008 - Michael Elkin, Arts & Entertainment Editor

Selma Blair is dressed to kvell in "Kath and Kim"
Photo by Chris Haston/NBC
Pyrotechnic and pretty, Selma Blair sets "Hellboy II: The Golden Army" aflame.

And now the acclaimed actress lights up the small screen with her turn as a vacuous vamp with mother issues that would have Oedipus putting his eyes out all over again in "Kath & Kim," a new Thursday-night NBC comedy just given an extra order of episodes.

Extraordinary with that certain X factor that has made her the "It" girl on screen, Blair bewitches and bedazzles even as she once claimed to be "an unlikely leading lady."

Lead on, Selma: Still believe that? "You know, either way I'm going to sound yucky, whatever way I answer that," she hedges.

Yucky? Yup, part of the appeal of this yuppie-ish actress whose every good intention to showcase her talent paid off in "Cruel Intentions" (1999) and whose ability to raise hell had her hellbent to do the sequel to her starring role in "Hellboy." (Both are now out on DVD.)

Or was that raising ... Hillel? The youngster once known to her Michigan mishpocah as Selma Blair Beitner was raised in a proud Jewish family, which sent her off to Hillel Day School packed with a pareve lunch.

Now, at 36, the blazingly pretty Blair -- Selma's alabaster skin clearly caught the eye of Vogue earlier this year -- maintains her mitzvah ways. Hers was a traditional Jewish ceremony when she wed Ahmet Zappa in 2004. (The chupah did develop a tear or two; she and the rocker zapped their vows, divorcing in 2006.)

There is nothing traditional about her choices, however. Isn't trading an image as "The Sweetest Thing" for a flame-thrower (the "Hellboy" series) akin to tossing a match at your career?

Obviously not, as this maverick seems well-matched to stretch and, in the case of "Hellboys," be incendiary.

Blair with flare? Make that flair, and no less likely a place to show it than in "Kath & Kim," on which her daughterly duties include taking out the white trash.

But her portrayal surely has curb appeal. "For some reason, I find Kim kind of lovable," says Blair. "I mean, irritating for sure.

Selma Blair helps "Hellboy" Ron Perlman deal with interlopers.
Photo courtesy of Universal Pictures

"But lovable."

They love me, they really love me -- trumpeting Blair has been a movie-trade-magazine mantra. Blair has been bringing in fans, too. Besides her silver-screen honors -- she was a standout in "Legally Blonde" -- there's the golden-girl greeting she gets by being named to this year's "Rosh Hashanah Hotties: The Top 12 Jewish Hollywood Beauties" -- 12 for 5769, a very hot year -- by scandalist.com.

Scan the list and see she's in good company, this Jewish actress who's on a first-name basis with her Jewish appellation of Batsheva.

Golden Rules Rule

Judging by what she says -- and acts -- it's no coincidence Blair grew up acknowledging that the golden rules rule; hellgirl, too? Nope, after all, her mother was a judge.

And Mom was the mother of all mothers -- in a good way, unlike Kath (Molly Shannon), whose mother smothers with day-old leftovers of advice.

While Blair was the cool kid on the block in Southfield, Mich., Kim is the blockhead of the trailer park tradition that trails her in what may be called "The Philadelphia Story," only with unsightly excavations.

Blair, which project projects the inner you? "Kim is nothing like what I was growing up," relates Blair. "I am close with my mom."

Close call to call Kim the anti-daughter? "I don't think Kim's completely the anti-daughter," she muses.

"I think, at the heart of it, she really does love and support her mom and really wants to be with her so much. She just depends on her mom too much, so it's a little tricky."

Signing on to their roles, along with Molly Shannon, at an NBC party.
Photo by Trae Patton/NBC

Trick or treat -- it's certainly a change from her roarin' fire of a role in "Hellboy" (and two straight-to-video DVDs), in which Blair's Liz Sherman has to learn to temper her temperature from Fahrenheit 411 to a cooler calm.

(Though, in the flicks, Liz is romantically linked to the title character -- pregnant with twins -- there is no basis in fact that Blair's former husband was a hellboy of his own; she has nothing but the best of praise for Zappa, whom she has called "a lovely man.")

In a way, the whole career has been picture-perfect, reflecting, perhaps, that Blair earned her degree in photography from the University of Michigan. Maybe that's a snapshot of things to come in Kim's "career"?

Negative. "I think Kim wants to be in front of the camera for sure; I don't think she'd be a photographer."

Wrong frame of reference? "She'd do something probably a little" -- is that the sound of trash cans clanging in the back? -- "louder."


3 de noviembre de 2008

[[PROJECTS]] NBC Gives Full-Season Pickup To 'Kath & Kim'

NBC has ordered an additional nine episodes of its freshman comedy "Kath & Kim" (Thursdays, 8:30-9 p.m. ET) to complete a full-season order, it was announced today by Ben Silverman, Co-Chairman, NBC Entertainment and Universal Media Studios.

"'Kath & Kim' is a show we love and believe in," said Teri Weinberg, Executive Vice President, NBC Entertainment. "We have incredible confidence in the creative auspices of this show and we believe it's a perfect fit with our Thursday-night comedies."

In its four telecasts to date, "Kath & Kim" has retained 100 percent of its adults 18-49 lead-in from "My Name Is Earl," averaging a 2.6 rating, 6 share in adults 18-49 and 6.0 million viewers overall (live plus same day). "Kath & Kim" has built on its "Earl" lead-in among adults 18-34 by 4 percent (with a 2.4 rating vs. a 2.3) and built on "Earl" among women 18-34 by 18 percent (2.6 vs. 2.2).

"Kath & Kim" is the American adaptation of the Australian hit comedy series that stars Molly Shannon and Selma Blair as the hilarious and iconoclastic mother-daughter duo.

"Kath & Kim" focuses on Kath (Shannon), a cheerful, foxy, forty-something, and her self-absorbed daughter, Kim (Blair), who have the love/hate, push/pull dysfunctional relationship that only a mother and daughter could share.


PAG WEB

27 de octubre de 2008

[[KATH AND KIM]] Selma Blair chills out on the set of “Kath and Kim”


Selma Blair plays it cool while chillin’ with a hot guy during a break on the set of “Kath and Kim” Monday.
(Ed’s note: Can anyone ID the guy?)

Things are going slow for the Blair after the show, which was based off the American version of hit Aussie TV comedy Kath + Kim, had failed to impress viewers causing the television network to put it in “resting” mode until the non-rating reasons come back around.


Actress Selma Blair and U.S. funny woman Molly Shannon play the role of the dysfunctional mother and daughter duo in the American adaptation of the award-winning series.

But Australia’s Channel 7 has pulled the show from its prime time slot after the second episode viewing figures plummeted to 729,000 after a promising 1.23 million debut.

21 de octubre de 2008

[[KATH AND KIM]] On Set - Candids, in pink










Selma Blair gets her kicks as she scoots around in character on the set of her NBC comedy Kath & Kim Tuesday in Los Angeles.

6 de octubre de 2008

[[KATH AND KIM]] Kath & Kim creators say US version 'noice'

KATH & Kim producer and the husband of star Gina Riley, Rick McKenna, appreciated how "openly consultative" his Americans peers were when adapting the hit Australian sitcom.

"On day one, everyone's sitting around wide-eyed, asking Gina, Jane and me questions," McKenna says. "Day two there's more questions about why characters did this or that, but by week three it was 'Rick, have you been to the Napa Valley? It's wonderful -- you should all go there'."

Not that the Kath & Kim trio is complaining. A process that usually ends in disappointment, recriminations and dashed hopes for Australians pitching content to the Hollywood studio system has resulted in something tangible for them. Kath & Kim's American iteration airs for the first time in the US on Thursday before screening -- and being judged -- here on the Seven network on Sunday night.

McKenna says the process could not have gone any better. "From the cast we got and the production team, and the network's support to order 12 episodes -- if that's all they do, so be it, but I've got a feeling it will go longer," he says.

From afar, the adaptation has looked troubled, and there has been much commentary.

On one side of the Pacific, American television is trying to get its head around what looks to be a stylised, very foreign sitcom.

On this side of the Pacific, Australians appear unwilling to share their Fountain Lakes friends. Even worse, we fear this story will end up more Phar Lap than Crocodile Dundee.

Circumstances initially conspired against Kath & Kim before falling their way. Last year's US writers' strike was crucial, in that the NBC network didn't want a quick rush-to-a-pilot episode, hesitated to get it right and then committed to a run. US television doesn't work like that.

Even better, the producer who shepherded Kath & Kim to NBC, Ben Silverman, was soon made the co-chairman of NBC Entertainment and NBC Universal Television Studio on the strength of some of his company Revielle's other successful foreign adaptations, including The Office and Ugly Betty.

"I'd much rather have taken this long road to get where we are, be launching 12 episodes both in the US and in Australia that I didn't personally have to do the 5am (filming) starts," says McKenna.

"If we'd rushed to a pilot, it might still be sitting on the shelf and you'd be asking 'whatever happened to the Kath & Kim pilot'."

Comedy tends to be very parochial. Kath & Kim is that, yet it has dominated Australian ratings whenever screened, regularly topping two million viewers on the ABC and then Seven networks.

Consequently, there is deep interest here in how it fares. Perhaps even jealousy, given the relish with which the first American reviews have been reported here. McKenna says the Australian media reaction to US reports have been "surprising".

"It's like they want you to fail when all we've done is market Gina and Jane's creative skills and works," he says. "If it was the Sarich rotary engine we'd be celebrating it, but for some reason there is that desire to cut it down. It's frustrating but also understandable because the flip side is we've been blessed with such a wonderful experience here that people like to talk about it and there's this disbelief that it can be converted."

At least as McKenna tells it, the conversion has been smooth. Casting took some time until Saturday Night alumni Molly Shannon as Kath was teamed with Selma Blair as Kim. And as the show wasn't showcased in the normal pilot season parade earlier this year, scepticism grew.

Riley, Turner and McKenna were assured throughout though and thrilled when they saw episode four, which the US writers created from scratch. "That's when you know the writers are massive fans because they've nailed it," says McKenna.

Other changes weren't so smooth. The American Kel, or Phil, was first written as owning a sports store. There are few butchers in the US any more, you see -- Americans buy pre-packaged meat from the mall.

"We said we understand his occupation has to change but we want to debate with you what his occupation is," McKenna said. Over months, 'Phil' evolved back to a new age guy who's a foodie running a gourmet sandwich store.

The show's US producer, Michelle Nader, has distanced the US show from the original, noting Turner and Riley didn't write anything emotional. The American mother-daughter pair has a deeper relationship.

The US show has dropped the lower-class accents and concentrated on the foursome of Kath, Kel (Phil), Brett (now Craig) and Kim with a stronger relationship between mother and son-in-law in conspiring against Kim.

Kath also has a day job, a move that initially flummoxed the Aussies. Her hairdressing studio at the back of the house allows more comic characters to drift in and out of premises rather than rely on Sharon (Magda Szubanski). And Kim, described by McKenna as "an amalgam of Britney meets Paris meets Lindsay Lohan", is rougher than the Aussie Kim.

Nevertheless, McKenna says the US program-making is not unlike Australia's, except for the host of executives.

"The 30 Rock model of how TV gets made replicates the Australian system," he says. "In truth there's more layers in the US, between Tina Fey and Jack (Alec Baldwin) there's 15 executives all with their point of view and experiences."

And money to spend. They weren't happy with scenes shot in a mall. So they built a new one on the Paramount lot.

"They weren't happy with the sound at the real mall whereas we took that as flavour (in Australia) -- we had no choice!" McKenna laughs.

Whatever happens, Turner, Riley and McKenna are content knowing this version was made for the US market. While that separates them from its performance, they remain on tenterhooks ahead of Thursday's screening.

"From a Kath & Kim brand perspective, scared's not the right word, (it's) apprehensive," McKenna admits.

"But for Gina and Jane as writer/creators, to have your work picked up by an American broadcaster, funded and produced to 12 episodes and the mass marketing campaign they put behind it, it's incredibly flattering and really satisfying.

"Ultimately Gina and Jane have had their work produced by an American network, which for Australian writers is an incredible outcome."


Michael Bodey
site web

5 de octubre de 2008

[[ARTICLES]] Linda Blair (Página 12)

radar

Domingo, 5 de Octubre de 2008

PERSONAJES >SELMA BLAIR, LA CHICA QUE SE CONVIRTIO EN SEX SYMBOL NERD SIN SER ANTES UNA ESTRELLA, AHORA VUELVE CON HELLBOY II Y UNA SITCOM NUEVA

Linda Blair

Por Mariano Kairuz

La primera vez que le prestamos atención, hacía de la mosquita muerta que terminaba por volverse incandescente; ahora interpreta a la chica capaz de prenderse y prenderle fuego a todo y a todos, pero que lo único que anhela de verdad es ser una madre de familia perfectamente normal. De aquel fuego a esta chispa: ése es, más o menos, el “arco” de la carrera como actriz, hasta ahora, de Selma Blair. Aquel primer encuentro fue en Juegos sexuales (1999), versión adolescente de Las relaciones peligrosas; Selma (Michigan, 1972), que ya tenía unos 26 años, pero parecía mucho menor, interpretaba a la adolescente que terminaba rendida a los planes maquiavélicos de Sarah Michelle Gellar, una improbable Marquesa De Merteuil para la Nueva York de fines del siglo XX. Con ella se besaban en una escena que no era, claro, lo de Neve Campbell y Denise Richards en Criaturas salvajes, pero que alcanzó para generarles a Sarah y Selma un pequeño culto de seguidores entre la cinefilia pajera del mundo. La versión más nueva de Selma es su segunda vuelta como Liz Sherman, la novia del superhéroe-monstruo en Hellboy II. El ejército dorado; chica paranormal con poderes pirómanos que descubre que está embarazada justo cuando sus permanentes disputas conyugales –con el diablito interpretado por Ron Perlman– empiezan a sofocarla.

Y habrá sido esa tensión entre la chica corriente y la chica ardiente, esa especie de languidez con raptos de emoción que arrastra en cada personaje, la que –inspirando cierto morbo, algo así como la fantasía de “inocencia” corrompida de la que se alimentaba Juegos sexuales– hizo de Selma Blair una sex symbol sin haber sido jamás una estrella. Protagonizó la escena más comentada –el abusivo encuentro entre alumna y profesor– de Storytelling, de Todd Solondz; un poco después fue la atolondrada-graciosa de La cosa más dulce, esa olvidable comedia de chicas solteras con Cameron Diaz y Christina Applegate, donde le tocaba el chiste del final (quedaba “abotonada” en público, con una pija dentro de su mandíbula trabada). Un par de años más tarde fue convocada por John Waters para hacer de Ursula “Ubres”, la chica de tranquila familia suburbana transformada en la sensación del pueblo gracias a sus tetas descomunales, en Adictos al sexo. Justo a ella, que se autodefinió como “la chica más chata de Hollywood”.

El jueves que viene, mientras acá se estrena la visualmente deslumbrante Hellboy II, en Estados Unidos debuta la serie de televisión que podría cambiar la carrera de Selma: una sitcom llamada Kath & Kim, remake de un gran éxito australiano que por el intraducible localismo de su original amenaza con perderse en el camino, pero que al menos como propuesta suena tentadora: Selma haciendo de la hija algo demente de Molly Shannon, una de las actrices más graciosas del Saturday Night Live de los ‘90. Es decir, Selma 2008 es Selma muñequito de acción –para que los fans más nerds de Hellboy la abracen en sus sueños– y, además, Selma comediante. Y, como siempre, Selma la del beso con Sarah Michelle: cuando, un par de meses atrás, fue entrevistada por la edición norteamericana de Playboy, la hicieron volver, por supuesto, a aquella escena de Juegos sexuales. Y ella, lejos de molestarse, recordó que ya se dio un par de besos más en pantalla con chicas –en un par de películas no estrenadas por acá– y habló de la antología de relatos eróticos de la que participó con un cuento propio acerca de una mujer que fantasea con otra, “joven y hermosa”, a la que ve una vez por casualidad. “Fue un encargo. La consigna era que fuera un cuento erótico y, como no tengo un solo hueso erótico en mi cuerpo, me dije: ‘Vamos con el tema de chica-conoce-chica’”. Y el que quiera, que le crea; y el que no, que se prenda fuego.