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"'Kath & Kim' is a show we love and believe in," said Teri Weinberg, Executive Vice President, NBC Entertainment. "We have incredible confidence in the creative auspices of this show and we believe it's a perfect fit with our Thursday-night comedies."
In its four telecasts to date, "Kath & Kim" has retained 100 percent of its adults 18-49 lead-in from "My Name Is Earl," averaging a 2.6 rating, 6 share in adults 18-49 and 6.0 million viewers overall (live plus same day). "Kath & Kim" has built on its "Earl" lead-in among adults 18-34 by 4 percent (with a 2.4 rating vs. a 2.3) and built on "Earl" among women 18-34 by 18 percent (2.6 vs. 2.2).
"Kath & Kim" is the American adaptation of the Australian hit comedy series that stars Molly Shannon and Selma Blair as the hilarious and iconoclastic mother-daughter duo.
"Kath & Kim" focuses on Kath (Shannon), a cheerful, foxy, forty-something, and her self-absorbed daughter, Kim (Blair), who have the love/hate, push/pull dysfunctional relationship that only a mother and daughter could share.

Things are going slow for the Blair after the show, which was based off the American version of hit Aussie TV comedy Kath + Kim, had failed to impress viewers causing the television network to put it in “resting” mode until the non-rating reasons come back around.
Actress Selma Blair and U.S. funny woman Molly Shannon play the role of the dysfunctional mother and daughter duo in the American adaptation of the award-winning series.
But Australia’s Channel 7 has pulled the show from its prime time slot after the second episode viewing figures plummeted to 729,000 after a promising 1.23 million debut.
LOS ANGELES (AP) — These days, most celebrities trade on their fame for fashion lines, fragrances, reality shows and blogs. Now, some 40 famous folks — from Scarlett Johansson to Jared Leto — will be able to trade their fame with each other.
A new line of celebrity trading cards — yes, the little cardboard ones baseball fans used to hoard — officially sanctioned by the stars themselves is being launched by entertainment product company A-List Global Media.
Called PopCardz, the celebrity trading card line is the brainchild of Ted Kurie and Christian Troy, who once represented A-listers as an agent at Creative Artists Agency. To personally acquire celebrities' permission for the cards, Troy dug deep into his CAA contacts.
"I started going around town to agents, managers, publicists and lawyers that I knew in these artists' lives," said Troy. "I pitched it as a simple and great idea, using these movie and TV stars' likeness to reach a young demographic in a really special way. We were really looking for artists who were credible and popular — but not because of scandal."
So don't except Paris Hilton, Lindsay Lohan or Britney Spears cards this go 'round.
The star power in the celebrity trading card collection is sprinkled with tween powerhouses (Cole and Dylan Sprouse, Ashley Tisdale, Raven-Symone), starlets (Megan Fox, Jessica Biel, Hayden Panettiere, Jessica Alba, Christina Ricci) and a few leading men (Dwayne "The Rock" Johnson, Anton Yelchin, Giovanni Ribisi, Chris Evans).
PopCardz will be sold in stores in five-card packs beginning in November. Proceeds will given to the celebrities' charities. Each card will have a unique 10-digit access code printed on it that will provide additional online content at PopCardz.com.
The back of the cards list celebrities' birth dates, hometowns and mottos as well as a favorite charity, movie, song, book, place, sport, food — and a secret. "Kath & Kim" actress Selma Blair revealed, for instance, that she wore an eye patch for a year when she was 7 because she was embarrassed about her amblyopia — lazy eye syndrome.
"Tabloids are so prevalent," said Blair. "I think this is way for kids — or whoever is collecting them — to find something out about their favorite celebrities, and find out really positive things about them."
Blair, who accumulated "Wacky Packages" and "Superman" trading cards growing up, was one of the first celebrities to agree to be immortalized in the collection. The "Hellboy" and "Cruel Intentions" actress said she was excited the cards would benefit and prominently feature celebrities' causes.
"It's a benevolent, cool thing," said Blair.
Her only concern? How her card will fare among traders once it's released.
"I'm sure everyone will be like, 'I'll give you 20 Selma Blairs for 1 Scarlett Johansson,'" Blair joked.
By DERRIK J. LANG
KATH & Kim producer and the husband of star Gina Riley, Rick McKenna, appreciated how "openly consultative" his Americans peers were when adapting the hit Australian sitcom.
"On day one, everyone's sitting around wide-eyed, asking Gina, Jane and me questions," McKenna says. "Day two there's more questions about why characters did this or that, but by week three it was 'Rick, have you been to the Napa Valley? It's wonderful -- you should all go there'."
Not that the Kath & Kim trio is complaining. A process that usually ends in disappointment, recriminations and dashed hopes for Australians pitching content to the Hollywood studio system has resulted in something tangible for them. Kath & Kim's American iteration airs for the first time in the US on Thursday before screening -- and being judged -- here on the Seven network on Sunday night.
McKenna says the process could not have gone any better. "From the cast we got and the production team, and the network's support to order 12 episodes -- if that's all they do, so be it, but I've got a feeling it will go longer," he says.
From afar, the adaptation has looked troubled, and there has been much commentary.
On one side of the Pacific, American television is trying to get its head around what looks to be a stylised, very foreign sitcom.
On this side of the Pacific, Australians appear unwilling to share their Fountain Lakes friends. Even worse, we fear this story will end up more Phar Lap than Crocodile Dundee.
Circumstances initially conspired against Kath & Kim before falling their way. Last year's US writers' strike was crucial, in that the NBC network didn't want a quick rush-to-a-pilot episode, hesitated to get it right and then committed to a run. US television doesn't work like that.
Even better, the producer who shepherded Kath & Kim to NBC, Ben Silverman, was soon made the co-chairman of NBC Entertainment and NBC Universal Television Studio on the strength of some of his company Revielle's other successful foreign adaptations, including The Office and Ugly Betty.
"I'd much rather have taken this long road to get where we are, be launching 12 episodes both in the US and in Australia that I didn't personally have to do the 5am (filming) starts," says McKenna.
"If we'd rushed to a pilot, it might still be sitting on the shelf and you'd be asking 'whatever happened to the Kath & Kim pilot'."
Comedy tends to be very parochial. Kath & Kim is that, yet it has dominated Australian ratings whenever screened, regularly topping two million viewers on the ABC and then Seven networks.
Consequently, there is deep interest here in how it fares. Perhaps even jealousy, given the relish with which the first American reviews have been reported here. McKenna says the Australian media reaction to US reports have been "surprising".
"It's like they want you to fail when all we've done is market Gina and Jane's creative skills and works," he says. "If it was the Sarich rotary engine we'd be celebrating it, but for some reason there is that desire to cut it down. It's frustrating but also understandable because the flip side is we've been blessed with such a wonderful experience here that people like to talk about it and there's this disbelief that it can be converted."
At least as McKenna tells it, the conversion has been smooth. Casting took some time until Saturday Night alumni Molly Shannon as Kath was teamed with Selma Blair as Kim. And as the show wasn't showcased in the normal pilot season parade earlier this year, scepticism grew.
Riley, Turner and McKenna were assured throughout though and thrilled when they saw episode four, which the US writers created from scratch. "That's when you know the writers are massive fans because they've nailed it," says McKenna.
Other changes weren't so smooth. The American Kel, or Phil, was first written as owning a sports store. There are few butchers in the US any more, you see -- Americans buy pre-packaged meat from the mall.
"We said we understand his occupation has to change but we want to debate with you what his occupation is," McKenna said. Over months, 'Phil' evolved back to a new age guy who's a foodie running a gourmet sandwich store.
The show's US producer, Michelle Nader, has distanced the US show from the original, noting Turner and Riley didn't write anything emotional. The American mother-daughter pair has a deeper relationship.
The US show has dropped the lower-class accents and concentrated on the foursome of Kath, Kel (Phil), Brett (now Craig) and Kim with a stronger relationship between mother and son-in-law in conspiring against Kim.
Kath also has a day job, a move that initially flummoxed the Aussies. Her hairdressing studio at the back of the house allows more comic characters to drift in and out of premises rather than rely on Sharon (Magda Szubanski). And Kim, described by McKenna as "an amalgam of Britney meets Paris meets Lindsay Lohan", is rougher than the Aussie Kim.New York, October 6 (ANI): Actress Selma Blair insists that she and her on-screen hubby in the forthcoming TV comedy series Kath & Kim, Mickey Day, are just good friends.
According to sources, the Legally Blonde star had gone for the premiere party at the Outback Steakhouse in Burbank, where she spent the evening drinking SKYY vodka and cranberry cocktails with Day.
“He kept rubbing her arms and neck, the New York Post quoted a source as saying.
But it’’s nothing to raise your eyebrows at, the source added.
However, a representative for the actress said that she and Day were not romantically inclined.
“Mickey and I are good friends and very affectionate. However, we are not romantic,” added the representative. (ANI)